Дневники Вампира / The Vampire Diaries

(while he's dying in her arms)
'I just kissed you. I'm kissing you again. Can you feel that?' 'Forever, Elena. I'll...take that with me. It's part of me now...do you see?' (Damon and Elena)

He picks her up in his arms and she says 'Darling what are you doing' (Damon and Elena)
'She was terrified to find that something fundamental had changed inside her.'

"I hadn't even realized myself how much Damon has come to mean to me. And I can't...stop...my feeling...for him, even if he hates me now." (Elena)


There was no slightest motion, no briefest word that she had said, that he had not noticed and...locked in his heart as a treasure -- Damon on Elena (Midnight)

Midnight Spoiler quotes :- Child Damon speaking to Elena. Child Damon is Damon's subconscious for those who doesn't know so this is Damon stripped no mask on, no secrets this is Damon laid bare. >>
"Elena?"
She was startled. Had the child ever said her name before?
"Yes, sweetheart?"
"Elena...I...love you. Not just because of him. I love you too."
Elena had to hid her face in hid hair. "I love you, too, little one. You've always known that, haven't you?"
"Yes - always."


Midnight Spoiler quotes >>
"Neither knowing or caring what she was doing Elena plunged deep deep into Damon's mind wielding her telepathy like a sword slashing at wood connections that she found everywhere. And at last she found herself plunging into the deepest part of him, where a little boy the metaphor for Damon's subconscious had once been locked with chains and set to guard the great stone that Damon kept his feelings locked in." <3333


Midnight Spoiler quotes >>
"Neither knowing or caring what she was doing Elena plunged deep deep into Damon's mind wielding her telepathy like a sword slashing at wood connections that she found everywhere. And at last she found herself plunging into the deepest part of him, where a little boy the metaphor for Damon's subconscious had once been locked with chains and set to guard the great stone that Damon kept his feelings locked in." <3333

Midnight Spoiler :-
"He suddenly knew a different hunger, a different thirst. The only place to ease this need was close by. Desperately, urgently, he sought and found Elena's lips. And then he found himself losing all control. What he needed most was here, and Elena might tremble, but she didn't push him away." <3333

Midnight Spoiler quote >>>
Damon:-Elena?
Elena:- You forgot all about me. You were holding me, but you completely forgot my existence…
Damon:- If only, he thought bitterly. You’re branded on my soul.

LJ SMITH EMAIL TO A DELENA FAN

Thank you for writing me such a beautiful, kind email. Yes, I think epic is the word for the love Elena and Damon have for each other in Midnight. I mean, she completely destroys a moon for his sake. I wrote a lot about Damon and Elena—and Bonnie and Damon, too—to show that Damon is finally discovering his deepest feelings. In the case of Elena, they amount to three simple words that makes Stefan think that Elena no longer loves him. He thinks that she simply wants to be with Damon now—and after all she does, it’s hard to blame him.



But authors don’t go free of consequences. This is still confidential, but In my case, the consequence is that I have been fired from writing the Vampire Diaries. Midnight is the last book you will ever see by L. J. Smith in this series. I even wrote the next book, Phantom, for the book packagers and my publishers, HarperCollins, but

Instead of sending me edits, they sent me a letter addressed to the anonymous ghostwriter who will be taking over the Vampire Diaries series. Because I wrote about Damon and Elena’s love—and Damon’s feelings for Bonnie, too, no doubt—I have been dropped from the series.



You may wonder how they can go on writing books without me. It’s because when I was originally called by an agent to write the first trilogy, that agent was from a book packager (someone who puts together books and sells them to publishers) and what I wrote, I wrote “for hire.” Although I didn’t even know what that meant back in 1990, when I wrote the first books, I found out soon enough. It meant that even though I wrote the series, Alloy Entertainment (the book packager) owns the series. I own nothing. And Alloy and HarperCollins wanted me to write straight Stelena, and doubtless less about Bonnie, and I wouldn’t do it. I had to follow the characters and what they were telling me in my heart. But it was a very expensive and reckless thing to do. Book packagers like meek, obedient authors who do exactly as they are told. I’m not that way. And so now the rest of the Vampire Diaries series, however long it lasts, will be written by an anonymous ghostwriter, and not by me. I have fought and fought until even my agent wouldn’t back me. But Harper (the publisher) and Alloy are in perfect agreement. They think that you readers won’t be able to tell the difference, or won’t care. And since I wrote Phantom before they told me, that book may even sound a bit like my writing, because the ghostwriter can do anything she likes with it, all the while making every coming book strictly Stelena. I was told explicitly that I should have Elena realize that though she is fond of Damon her one true love is Stefan. I chose not to do that because it wasn’t what I felt in my heart. But that’s what the rest of the series will be because I won’t be around to say any differently.



I am very, very sad—sadder than I have ever been since my mother passed away—but there is absolutely nothing I can do. There will be no more Delena in the series—although Elena may be fond or physically attracted to Damon. I don’t know what it means for the Bamon faction. All I know is that I’m sad and hurt and horrified all at once.



By the way, don’t feel guilty because Delena moments were undoubtedly a big part of the reason I was fired. I simply wrote about Elena, and Bonnie, too, what I chose to write. And I can’t bring myself to regret writing Shadow Souls and Midnight, even though I’m desolated now

Lisa
L. J. Smith.

Here's an email my friend received from L.J. Smith.
"Hi Emily—

Thank you for your beautiful email. I completely understand why some fans get overeager—and especially if they think there is bad news for them. I hope that you will enjoy Midnight, as it is truly the story of Damon finding his deepest feelings for both Elena and Bonnie—and his feelings are definitely not platonic. In fact, to be blunt, without Bonnie and something that Bonnie does at the end, Damon would be permanently dead.

But right now I have to tell you something that makes me so sad and devastated—as bad, in fact, as I have ever felt except for when my mother died. It’s confidential, but it’s been so long now that I just can’t keep up a charade with good-hearted readers like you.

To put it briefly, I’ve been fired from writing the Vampire Diaries. And I’ve been fighting and fighting this since last fall, but there is absolutely no recourse. Midnight is the last L. J. Smith book in the Vampire Diaries series.

It probably sounds completely impossible to say that I am fired from writing my own books. But the truth is that they’re not mine, even though I write every word. When I was called by an agent and asked to write the vampire trilogy, that agent wasn’t from a publisher, but from what is now Alloy Entertainment, Ltd. And they are a book packager. A book packager sells books, already made with covers and all, to publishers, like HarperCollins—my publisher for The Vampire Diaries and The Secret Circle. And both these series were written “for hire” which means that the book packager owns the books the author produces. Although I didn’t even understand what “for hire” meant back in 1990, when I agreed to write books for them, I found out eventually, to my horror and dismay. It means that even though I have written the entire series, I don’t own anything about The Vampire Diaries. And from now on, the books will be written by an anonymous ghostwriter, just as Stefan’s Diaries are. It will say “Created by L. J. Smith” on the cover, but I am not allowed even to change a word in the ghostwriter’s book.

You might wonder why the book packager and Harper would do this to me. I am not sure either, but usually a book packager gets very submissive, non-assertive writers to write for them—not to mention that most of them, writers or ghostwriters, have had a lot of publishers turn their books down. Book packagers are used to do a lot of editing on their author’s books—because the books need intense editing.

But I’m not submissive, and I always fight editing. In Midnight, I had to fight to keep many Bonnie scenes in the book. I’m not at all sure they liked the things I was doing with Bonnie and Damon—they kept trying to cut such scenes. And of course they didn’t like Elena’s behavior at all. They want strictly Stelena books.

So last fall when I gave them the book Phantom, they didn’t bother to give me edits. Instead, I was given a letter addressed to the ghostwriter by name, telling her to completely rewrite my book. They wouldn’t even listen when I pleaded and promised to do Phantom as they required. The simply took the series and gave it to the ghostwriter . . . to write not only The Hunters trilogy, but whatever comes after that.

They have always tried to minimize my participation in The Vampire Diaries. On the very first original books in 1990 my name was almost invisible on the cover. And now they have my manuscript of Phantom, and the book the ghostwriter writes from it may even sound like I wrote it in places, because they have the right to use my work as they see fit. But the book after that . . . that will be pure ghostwriter. I would guess that they think you readers won’t see or care about the difference in writing styles and skills.

I have said this to another Bamon fan, and I’ll say it now. I had so many plans for Bonnie in The Hunters trilogy.
First of all, in Phantom, I had her showing a lot more emotion, grieving right along side Elena because—well, because Damon does something almost unbelievable for Bonnie in Midnight and he doesn’t get out unscathed.
I won’t spoil it if you don’t know. But they wanted Bonnie to have just put it all behind her—and with Bonnie’s character, I don’t think so! She is always completely openhearted with her emotions; even though she has matured so much in Midnight, she’s still Bonnie, who says exactly what she thinks, even if she hasn’t had a dose of Black Magic wine.

I wanted to write Moonsong, and give Bonnie an admirer who is just as sweet and even more naïve than she is—a pure white wolf with radiant blue eyes, who happens to be a werewolf with moonlight colored hair and the same blue eyes when he’s human. I wanted to show Damon’s surprising reaction to Xander the good werewolf (not at all happy about it—so much that he “accidentally” almost kills the poor innocent wolf) .

I also wanted to show how Damon rescues Bonnie from a vicious wolf-pack attack, and then let her fly away with him. And I wanted to show how Bonnie, who knows a little medicine from her sister Mary, helps Damon deliver Caroline’s twin babies when she goes into labor deep in the woods. But that’s one scene that I would have had to fight tooth and nail for, because even the glow that Damon and Bonnie share at seeing new life come into the world wouldn’t be enough for them to call it decent. They would undoubtedly have tried to make me cut it. But I still want to write it, so badly.

I even had the last book in that trilogy plotted out, where Stefan’s worst nightmare comes true and he takes so much blood from Elena that has to be taken to the hospital for a massive transfusion. He then decides to Influence Elena so hat she will forget his existence, and he does so, to Damon and Bonnie and Meredith’s consternation. I wanted to show how this affected each one of the characters, and how Bonnie once again begins to write in her diary, since Elena’s diary is also forgotten, along with Stefan. I like to write things from Bonnie’s point of view, as I did in Dark Reunion. But none of these things will happen, beause I won’t be around to write it. And I just can’t keep up the pretense any long with wonderful fans like you. I can’t pretend that Bonnie and Damon’s relationship will continue to grow as Damon learns to respect her as well as to love her. She has become “his girl” but I can’t follow up on that. I had to tell the ghostwriter that he would address Bonnie as “little redbird” when he speaks to her.

Sorry for the long rant, but the charade is over for me. I don’t know how Phantom will turn out, with a blend of my manuscript and the complete rewriting of it by the ghostwriter. But I dread it, and even more do I dread what the next books will be like. I’ve worked so hard to make Vampire Diaries a good series, only to have the unthinkable happen to me. And I have no one but myself to blame for not being submissive enough.

Lisa
L. J. Smith"